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Cultures Archives

Today is World Toilet Day.

Yes, that's right, there's a special day for toilets. But while it may be fodder for scatalogical jokes, for the many millions of people who do not have access to toilets it's no laughing matter.

Imagine what it would be like if we weren't able to flush away the vast amounts of human waste we generate in our cities. Apart from the stench and vermin, disease would flourish, as it does in many of the world's informal settlements.

Poor sanitation kills 1.8 million people a year--mostly children and primarily through diarrheal diseases, reports colleague Tasha Eichenseher today on National Geographic's Green Guide blog.

Read more about this intolerable situation and learn what a privilege it is to have access to a toilet.

Terra cotta warriors go to Washington

Posted on November 17, 2009 | 0 Comments

Even in his wildest dreams, China's first emperor, Qin Shihuangdi (Chin She-hwong-dee), could never have imagined that terra cotta warriors made to guard his tomb in the afterlife would travel the world as ambassadors of friendship between nations.

Those were the thoughts today of Xie Feng, minister and deputy chief of mission of the Chinese Embassy in the U.S. He made the observation at the official opening at the National Geographic Museum of the exhibition "Terra Cotta Warriors: Guardians of China's First Emperor."

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Caption: Terra cotta figures on exhibition at the National Geographic Museum, Washington, D.C. The average terra cotta warrior is 6 feet tall and weighs 300-400 lbs. Craftsmen sculpted individual facial features for each figure by hand. Many of the faces are thought to resemble the artists themselves or some real person or military figure. It is believed that no two faces are identical.

Photo by David Braun

Auspicious sign

Minister Xie also observed that while President Obama was in Beijing today, visiting the Forbidden City and holding talks with China's President Hu Jintao, the terra cotta warriors were in Washington--a coincidence that was "an auspicious sign" of the improving relationship between the two countries.

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Caption: President Obama at the Forbidden City today. The Forbidden City was the official residence of many of China's emperors.

White House photo by Pete Souza. 

The National Geographic Museum is the final venue of the terra cotta warriors' four-city U.S. tour. The largest number of terra cotta figures ever to travel to the United States for a single exhibition includes more than 100 artifacts from the tomb of Qin Shihuangdi, who ruled from 221 B.C. to 210 B.C.

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Caption: A view of reconstructed warriors, on exhibition in China. Originally, the soldiers were painted with pigments made from minerals mixed with either egg white or animal blood.

Photo by Wang Da Gang

"The First Emperor's magnificent terra cotta army is one of the great wonders of the ancient world," said Terry Garcia, National Geographic's executive vice president for Mission Programs. "Visitors to the National Geographic Museum will have the rare opportunity to experience one of the greatest archaeological discoveries of the 20th century as they stand face-to-face with the terra cotta warriors," he added.

Qin-Shihuangdi-exhibition-portrait.jpgCaption: Portrait of the First Emperor of China as it appears in the exhibition "Terra Cotta Warriors: Guardians of China's First Emperor." It is how Qin Shihuangdi is imagined in an 18th-century album of portraits of 86 emperors of China.

Born in 259 B.C., Ying Zheng became king of the state of Qin at age 13. In 239 B.C. the king began to rule in his own name and shortly thereafter he sent his armies to conquer the surrounding states. By 221 B.C. a vast empire was under his control. He renamed himself Qin Shihuangdi, First Emperor of the Qin.

Portrait © The British Library Board

Level 1 artifacts

More than 96,000 tickets have been purchased in advance for the Washington venue of the exhibition, which offers an in-depth look at the First Emperor's enormous tomb complex that contained thousands of terra cotta warriors intended to protect him in the afterlife. The exhibition showcases the life-size terra cotta figures and other objects, including 20 "Level 1" artifacts--China's highest possible ranking in terms of rarity and importance.

 

Caption: Albert E. Dien, Ph.D., professor emeritus, Stanford University, is guest curator for the "Terra Cotta Warriors: Guardians of China's First Emperor" exhibition. In this video he explains why the terra cotta warriors are the "Eighth Wonder of the World."

Video by David Braun

Secrets of the Qin

Discovered after being buried for more than 2,000 years, the terra cotta warriors reveal secrets of the Qin dynasty, a National Geographic statement about the exhibition explains.

"The warriors were found in 1974 by a group of farmers digging a well near Xi'an in China's Shaanxi province. When archaeologists began excavating the area, they uncovered a subterranean vault containing fragments of thousands of terra cotta figures in four pits."

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Caption: Terra cotta warriors and horses found in the tomb of China's first emperor Qin Shihuang, located north of Xi'an in China.

Photo by Wang Da Gang

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Caption: There are four pits of varying sizes, three of which contain warriors, filled with an estimated 7,000 figures along with hundreds of horses, chariots and weapons. Pit 1 (in the illustration above) is the largest at 203 feet x 755 feet, roughly the size of two and two-thirds football fields, and was the first to be discovered. Ranks of terra cotta warriors, horses and chariots were placed in formation throughout this space.

"More than 1,000 life-size figures have been unearthed as part of the site's ongoing excavation, with estimates of 6,000 more remaining in the known underground pits," National Geographic's statement says.

"Construction of Qin Shihuangdi's tomb took 36 years to complete, and the tomb complex is estimated to extend more than 19 square miles."

Warrior assembly line

"The terra cotta figures were created in assembly-line fashion, and molds were used to mass-produce hands, heads and ears. Craftsmen sculpted individual armor details and facial features by hand. It is believed that no two faces are alike," National Geographic said.

The 15 terra cotta figures in "Terra Cotta Warriors: Guardians of China's First Emperor" consist of nine warriors--two infantrymen, a chariot driver, two officers, an armored warrior, two archers and a cavalryman--as well as two musicians, a strongman, a court official, a stable attendant and a horse. The exhibition showcases 100 sets of artifacts, including weapons, stone armor, coins, jade ornaments, roof tiles and decorative bricks, and a bronze crane and swan.

Two replica bronze chariots are also on display.

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Caption: One of the replica bronze chariots on exhibition at the National Geographic Museum. All figures are life-size.

Photo by David Braun 

Caption: National Geographic Museum Director Susan Norton and her staff worked for more than two years to bring "Terra Cotta Warriors: Guardians of China's First Emperor" to Washington, D.C. In this video she talks about the planning and challenges of moving and exhibiting 2,200-year-old artifacts.

Video by David Braun

The objects in the exhibition are drawn from 11 different collections in and near Xi'an, including the Museum of the First Emperor's Terra Cotta Army and Horses, Shaanxi Provincial Institute for Archaeological Research, the Zhouzhi Museum, Baoji Museum, Xianyang Museum, Lintong Museum, Fengxiang Museum, Chencang Museum, Xi'an Institute for Archaeological Research and Protection, Baoji Archaeological Excavation Team and Xianyang Institute for Archaeological Research.

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Caption: Terra cotta figures on display at the National Geographic Museum.

Photo by David Braun

The Washington exhibition is open daily from 10 a.m. to 6 p.m., with extended hours on Wednesdays until 9 p.m. The National Geographic Museum is closed on December 25. The exhibition will be open to the public from November 19, 2009 until March 31, 2010.

Tickets are timed and dated and can be purchased online at the Buy Tickets page of the exhibition Web site www.warriorsdc.org, by phone at (202) 857-7700 and at the National Geographic Museum ticket booth located at the exhibition's entrance or at the National Geographic ticket office, 1600 M Street, N.W., Washington, D.C.

terra-cotta-warriors-photo-f.jpgCaption: A standing archer. The warriors' hands are positioned to hold weapons, many of which were stolen during the rebellions that followed the emperor's death.

Photo by Wang Da Gang 

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Caption: A detailed look at one of the terra cotta warriors found in the tomb of China's first emperor Qin Shihuang, located north of Xi'an in China.

Photo by Wang Da Gang

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Caption: Warrior armor on exhibition at the National Geographic Museum.

Photo by David Braun

The exhibition is co-organized by the Bowers Museum, Houston Museum of Natural Science and the National Geographic Museum, and is guest curated by Dr. Albert E. Dien, professor emeritus, Stanford University.Support for the exhibition was given by American Airlines; Amtrak; Washington, D.C.'s Loews Madison Hotel; P.F. Chang's China Bistro; The PIMCO Foundation; UPS; Viking River Cruises; and WTOP.

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Terra Cotta Warriors Exhibition Fact Sheet

Emperor Qin Shihuangdi

In the long history of China, the First Emperor of the Qin dynasty stands out for his accomplishments and the controversy that surrounds his rule. He ruled a unified China for only 11 years, but many of his reforms have lasted as long as his warriors have stood guard -- more than 2,200 years.

Born in 259 B.C., Ying Zheng became king of the state of Qin at age 13. In 239 B.C. the king began to rule in his own name and shortly thereafter he sent his armies to conquer the surrounding states. By 221 B.C. a vast empire was under his control. He renamed himself Qin Shihuangdi (Chin She-hwong-dee), First Emperor of the Qin.

The emperor instituted a series of ambitious reforms, creating a centralized administration to consolidate his power. He is credited with unifying seven warring states; building an extensive network of roads; standardizing weights, currency and measures; establishing Qin writing as the official language, which became the basis of the written script now known as Simplified Chinese; beginning construction on the Great Wall of China; and pioneering the use of mass production.

In 210 B.C. Emperor Qin fell ill and died unexpectedly. He is believed to have been interred beneath a large man-made hill in an elaborate chamber that has not yet been excavated.

Records written nearly 100 years after Emperor Qin's death show that succeeding dynasties defined the Qin period as a time of draconian enforcement of harsh laws. However, recent discoveries of Qin laws indicate a less severe administration than previously imagined, and the emperor's reputation is being reevaluated. Regardless of how his legacy is ultimately judged, the impact of his rule and the grandeur of his tomb set a standard that has not been surpassed.

The tomb complex and pits

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Photo by Wang Da Gang

As was customary, Emperor Qin began work on his tomb complex when he ascended the throne at age 13. After conquering the neighboring states, he expanded the plans in keeping with his new title of First Emperor. The tomb complex covers 19 square miles and includes a man-made earthen mound rising above his underground burial chamber.

Providing for the emperor in the afterlife meant filling his tomb complex with a wide range of items to serve his needs. The emperor's tomb mound sits at the center of what was once a walled area. Outside the walled tomb area in pits three-quarters of a mile to the east are the warriors, standing ready to defend the emperor.

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Photo by Wang Da Gang

The army faced east, towards a pass in the mountains through which enemies might approach.

There are four pits of varying sizes, three of which contain warriors, filled with an estimated 7,000 figures along with hundreds of horses, chariots and weapons.

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Photo by Wang Da Gang

Pit 1 is the largest at 203 feet x 755 feet, roughly the size of two and two-thirds football fields, and was the first to be discovered. Ranks of terra cotta warriors, horses and chariots were placed in formation throughout this space.

Pit 1 was dug to a depth of about 15 feet, with walls of pounded earth dividing the interior into 11 corridors. The floors were paved with bricks. A framework of wooden pillars and beams covered with planks, matting and a plaster shell formed the roof. The whole area was covered with earth mounded about 6 feet above the original ground surface. Pits 2 and 3 were constructed in similar fashion.

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Photo by Wang Da Gang

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Photo by Wang Da Gang

The figures contained in the smaller Pit 2 are more varied. The ranks include cavalrymen, chariots and 160 standing and kneeling archers.

Pit 3 is even smaller and is the only one to be completely excavated. This pit was meant to serve as a command center for the underground army. It contains just 68 soldiers, most of them guards with a few officers stationed behind a single chariot, perhaps meant for the supreme commander.

Pit 4 is incomplete and contains no figures, suggesting that work ceased in the rebellions following the death of Qin Shihuangdi.

The warriors

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Photo by Wang Da Gang

The average warrior is 6 feet tall and weighs 300-400 lbs.

Craftsmen sculpted individual facial features for each figure by hand. Many of the faces are thought to resemble the artists themselves or some real person or military figure. It is believed that no two faces are identical.

Originally, the soldiers were painted with pigments made from minerals mixed with either egg white or animal blood.

The legs and feet of each warrior are solid clay to support the weight of the figure. To create the torso, artisans built up coils of clay; the hands, arms and head were molded separately and then attached.

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Photo by Wang Da Gang

When a figure was complete, a layer of fine clay was applied to the entire sculpture so individual details could be incised by hand. After this was completed, the statues were fired at high temperatures.

The warriors' hands are positioned to hold weapons, many of which were stolen during the rebellions that followed the emperor's death.

The warriors were discovered in March 1974 by a group of men digging a well along the Wei River near the city of Xi'an. The tomb complex of the First Emperor has since been dubbed the Eighth Wonder of the World.

To date, only 1,000 figures have been excavated and restored.

All information is drawn from exhibition text and the "Terra Cotta Warriors: Guardians of China's First Emperor" exhibition e-Guide, available for download at www.warriorsdc.org

More photos from the the Terra Cotta Warriors exhibition at the National Geographic Museum:

Photos by David Braun

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Intelligent Travel: Sneak Peek--Terra Cotta Warriors at NG

BlogWild: Terra Cotta Countdown

National Geographic Magazine: Treasures from Ancient China

 

In an age of strip malls, fast food chains, and big-box stores, every small town in America looks the same. Or so it would seem if you roll down any interstate highway.

But linger and ask about local festivals, and soon you will find that the U.S. is a richly diverse country that celebrates cultures of every kind. The melting pot is chock-full of spicy ingredients.

That was the experience of two adventurous photographers, Ross McDermott and Andrew Owen, who set out to discover and document America's small, hidden, and bizarre festivals.

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McDermott (left) and Owen shooting from a crane lift in Apache Junction, Arizona.

Photo © American Festivals Project

Forty thousand miles and forty festivals later, they have thirty thousand pictures and many hours of video that showcase the many ways Americans celebrate.

"We discovered that what may have started as small local festivals have become in some cases national and even international events, thanks in large part to the Internet," Owen said in an interview. "These festivals are attracting people with a shared passion or interest, and so they have become global experiences with a local flavor."

Mustache-Competition-photo.jpgThe World Beard and Mustache Competition attracts contestants from every corner of the world. In the past few years, the competition has been attended by more Americans than any other country. See more photos on The American Festivals Project's World Beard and Mustache Competition Web page.

Photo by Ross McDermott and Andrew Owen

McDermott (27) and Owen (28) are from Charlottesville, Virginia, where they met through a mutual friend. The idea to document American festivals is McDermott's, who was inspired by the cultural festivals he photographed while teaching English in Japan.

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"I wondered if American festivals would be as culturally relevant as those in Japan. If I documented them, would I discover that they said something about American culture," he said.

Funded in part by the National Geographic Young Explorers Grants program, McDermott launched the "American Festivals Project."

In a truck converted to run on used vegetable oil they scrounged along the way from fast food restaurants and universities, the duo hit the festival circuit.

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McDermott pumping vegetable oil from the back of a local diner in Ainsworth, Nebraska. The truck could hold 80 gallons of veggie oil and allow the team to drive over 1,000 miles before another fill-up.

Photo © American Festivals Project

"I thought we would look for the most bizarre festivals and those that were dying out. But what we found is that in most cases the festivals are alive and doing well," McDermott said. "Their dynamic has changed with the influx of many visitors, but they are doing well."

The photographers sought out festivals that seemed to focus on the more peculiar facets of the American way of life.

And so they headed for the Machine Gun Shootout, Wooly Worm Festival, Cajun Mardi Gras, Rattlesnake Roundup, Xtreme Cheerleading, Middle of Nowhere Celebration, Rainbow Gathering, Okie Noodling Competition, Lumberjack Championships, Pine Ridge Pow Wow, Sturgis Motorcycle Rally, Hick Festival, and Pole Dancing competition. What could be more American than festivals like those?

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Xtreme Dance and Cheer Competition, Wisconsin Dells, Wisconsin. See more photos and read about this at The American Festivals Project's Xtreme Cheerleading Web page. 

Photo by Ross McDermott and Andrew Owen

Okie Noodling Festival from American Festivals Project on Vimeo.

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World's Largest Rattlesnake Roundup, Sweetwater, Texas. See more photos and read about this at The American Festivals Project's World's Largest Rattlesnake Roundup Web page.

Photo by Ross McDermott and Andrew Owen

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Rainbow Gathering, Sante Fe National Forest, New Mexico. See more photos and read about this at The American Festivals Project's Rainbow Gathering Web page.  

Photo by Ross McDermott and Andrew Owen

Rainbow Gathering 2009 from American Festivals Project on Vimeo.

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Pine Ridge Pow Wow, Pine Ridge Indian Reservation, South Dakota. See more photos and read about this at The American Festivals Project's Pine Ridge Pow Wow Web page.

Photo by Ross McDermott and Andrew Owen

Pine Ridge Pow Wow from American Festivals Project on Vimeo.

"The Machine Gun Shootout in Kentucky was an example of what we thought were going to be eccentric people shooting their guns," McDermott said. "Instead, we found people passionate about their collections, and owning and firing machine guns in a safe and educational manner."

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Machine Gun Shootout in Kentucky. See more photos and read about this at The American Festivals Project's Knob Creek Machine Gun Shootout Web page. 

Photos by Ross McDermott and Andrew Owen

Every festival gave them the same impression. The participants they met were passionate people with compelling reasons for doing what they were doing, and who were very good at it.

"We discovered that we were not photographing one-off events so much as sub-cultures. The Machine Gun Shootout is a festival for the machine gun sub-culture across the U.S. And the same can be said for the other festivals," McDermott said. "These festivals are sub-cultures within the homogenous American culture."

"The Cajun Mardi Gras is not only for the local people," Owen added. "It draws old-time musicians like fiddlers, from everywhere. It's really like a gathering of tribes. These festivals are focused human gatherings."

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Cajun Mardi Gras, rural Louisiana. See more photos and read about this at The American Festivals Project's Cajun Mardi Gras Web page. 

Photo by Ross McDermott and Andrew Owen

"There are strong family traditions in some of these festivals," McDermott said. "For many participants, such as at the Lumberjack Championships, there is real pride in what's been passed down through the generations, and an opportunity to show that off."

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World Lumberjack Championships, Hayward, Wisconsin. See more photos and read about this at The American Festivals Project's World Lumberjack Championships Web page.

Photo by Ross McDermott and Andrew Owen

2009 World Lumberjack Competition from American Festivals Project on Vimeo.

It sounds like an idyllic vacation, traveling across America, visiting interesting festivals, meeting colorful people. But from a photographer's point of view it had challenges and was very hard work.

"Unlike photographers who have the privilege of revisiting an event to rework shots that they might have missed, we were working on a very short notice, and often had a one or two-day window to gather all our material. We would arrive and start shooting, sometimes from sunrise to dusk, in all kinds of weather and without really knowing what the event would offer," McDermott said.

They would sometimes have to spend hours looking for veggie fuel for their truck. Driving from one festival to the next could involve long overnight journeys.

Sleep happened whenever the guys had a chance. In Oklahoma, it was so hot inside the tent that McDermott decided to sleep on the concrete picnic table.

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Photos © American Festivals Project

"We attended a festival in Louisiana on one day and another in Wisconsin the very next day," Owen said. "That meant we had to drive through the night. We started shooting the second we arrived, and didn't stop for 12 hours."

McDermott and Owen are mulling over several uses of their collection of images and video. They are busy with talks and planning an exhibit in Charlottesville on January 9th at The Bridge--Progressive Arts Initiative.

Are there any plans to photograph the festivals of Europe or Asia?

"Not right now," McDermott said, "we're still trying to absorb what happened to us in America."

To see more of the 30,000 photos made by Ross McDermott and Andrw Owen, please visit The American Festivals Project Web site. Prints of the photos can be be ordered.

Support the AFP! from American Festivals Project on Vimeo.

"There can be no food security without climate security," United Nations Secretary-General Ban Ki-Moon said today at the start of the World Summit on Food Security in Rome.

"If the glaciers of the Himalaya melt, it will affect the livelihoods and survival of three hundred million people in China and up to a billion people throughout Asia," he said at the event convened by the UN Food and Agricultural Organization (FAO.

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Addressing the Summit on Food in a number of languages today, Pope Benedict XVI said, "God bless your efforts to ensure that all people are given their daily bread." Hunger is the most cruel and concrete sign of poverty, Benedict said. "Opulence and waste are no longer acceptable when the tragedy of hunger is assuming ever greater proportions."

Photo © FAO/Giulio Napolitano

World leaders meeting at FAO headquarters for the summit "unanimously adopted a declaration pledging renewed commitment to eradicate hunger from the face of the earth sustainably and at the earliest date," according to an FAO news release.

"Countries also agreed to work to reverse the decline in domestic and international funding for agriculture and promote new investment in the sector, to improve governance of global food issues in partnership with relevant stakeholders from the public and private sector, and to proactively face the challenges of climate change to food security."

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Libya's leader and current President of the African Union Muammar El-Gheddafi speaking at the World Summit on Food Security today.

Photo © FAO/Alessandra Benedetti

"Africa's small farmers, who produce most of the continent's food and depend mostly on rain, could see harvests drop by 50 per cent by 2020. We must make significant changes to feed ourselves and, most especially, to safeguard the poorest and most vulnerable," Ban Ki-Moon said.

FAO Director-General Jacques Diouf stressed the need to produce food where the poor and hungry live and to boost agricultural investment in these regions, according to the FAO statement.

"In some developed countries, two to four percent of the population are able to produce enough food to feed the entire nation and even to export, while in the majority of developing countries, 60 to 80 percent of the population are not able to meet country food needs," Diouf said.

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General view of the Plenary Hall during the World Summit on Food Security 16-18 November 2009, FAO Headquarters.

Photo © FAO/Giulio Napolitano

"The planet can feed itself, provided that the decisions made are honoured and the required resources are effectively mobilized," he said, calling for an increase in official development assistance to agriculture, a greater share of developing country budgets devoted to agriculture and incentives to encourage private investment.

"Eliminating hunger from the face of Earth requires US$44 billion of official development assistance per year to be invested in infrastructure, technology and modern inputs. It is a small amount if we consider the $365 billion of agriculture producer support in OECD countries in 2007, and if we consider the $1,340 billion of military expenditures by the world in the same year," Diouf said.

"Over the past five years, several countries in Africa, Latin America and Asia have succeeded to substantially reduce the number of hungry people in their territories," Diouf said. "This means that we know what should be done and how it can be done to defeat hunger."

"In low-income food-deficit countries, food security programmes and plans exist and are awaiting political will and financing to become operational," he noted.

Diouf also underlined the fact that food security goes beyond production, the statement added. "We need protection against pests and diseases of plants and animals which often directly affect human health. We have likewise to face emergency situations resulting from natural disasters and to conserve the national resource base of food production to ensure sustainability."

The pope called for greater understanding of the needs of the rural world. "At the same time," he said, "access to international markets must be favoured for those products coming from the poorest areas, which today are often relegated to the margins. In order to achieve these objectives, it is necessary to separate the rules of international trade from the logic of profit viewed as an end in itself."

Native American Heritage Month (November) is when we reflect on the heritage of the first people in the Americas and honor their traditions and ancestors.

North America before the time of contact with Europeans five hundred years ago was a mosaic of extraordinary human diversity. Hundreds of tribes had their own cultures, political systems, art forms, spiritual beliefs--and languages.

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Tribal policeman Jim Macy dances to keep his traditions alive, Warm Springs Indian Reservation, Oregon (undated).

NGS stock photo by David Boyer

By the late 19th Century all that had changed. Most tribes had been restricted to reservations. Many of their children were taken to boarding schools where they were required to speak only in English as part of a program to assimilate Native Americans into the white culture. Native American languages were mainly dead or dying.

By the late 20th Century, more than half the Native Americans in the U.S. were living in urban areas, where English was their everyday and home language. The few remaining Native American languages still in use were increasingly spoken only by the elders.

But there has been a resilience among the first people of North America in the 21st Century, and many of them have been determined to hang on to their heritage. Others are looking for ways to revitalize traditional cultures, spiritual values--and languages.

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Native North American holding an artifact up toward the sky.

NGS stock photo by Chris Johns

One organization that has been established to record the disappearing languages around the world, including those of North America--and perhaps to help revitalize those that are on the brink of extinction--is the Living Tongues Institute for Endangered Languages.

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Living Tongues has linked up with the National Geographic Society to form the Enduring Voices Project, which strives to preserve endangered languages by identifying language hotspots--the places with the most unique, poorly understood, or threatened indigenous languages--and documenting the languages and cultures within them.

Under the Enduring Voices Project, linguists journey to meet with last speakers, listen to their stories, and document their languages with film, pictures, and audio to help communities preserve their knowledge of species, landscapes, and traditions before they vanish, according to the project's Web site.

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"In addition, the Enduring Voices Project, where invited, will assist indigenous communities in their efforts to revitalize and maintain their threatened languages. By using appropriate written materials, video, still photography, audio recorders, and computers with language software, as well as access through the Internet where possible, the Enduring Voices Project will help empower communities to preserve ancient traditions with modern technology," the Web site adds.

I spoke to Dr. Greg Anderson, director of Living Tongues, about the disappearing languages of the U.S. and what's been done to document, if not save them.

Why should we care about preserving languages?

Whether for heritage or scientific reasons, languages need to be recorded.

Every language is useful as a means to identify a group. It codifies the history and world view of a people. It's clear that it's important to many people that they have their language that identifies them uniquely as a group.

Most native communities in the U.S. want to have as good and accurate record of their language as possible, in a format to be enjoyed by as many people as possible. There is great interest in documenting this heritage.

Documenting a disappearing language is so important, but it's possible only to really begin to appreciate all the subtleties and complexities of language if you have some speakers left to give you the dynamics and social context. If a language goes then it can't find new life without recorded materials.

"Every language furthers and refines our understanding of cognition, communications systems, the nature of the mind and the different ways people categorize our collective human experience."

From a scientific perspective it is also imperative to document languages while they are still alive. Languages are markers of identity and group cohesion. Linguists will tell you that every language furthers and refines our understanding of cognition, communications systems, the nature of the mind and the different ways people categorize our collective human experience.

For scientists, who knows what benefits there will be down the line that we don't even know about now yet. Certainly there will be uses for the data. But you can be sure it won't be used if it's not documented.

Tell us about the language hotspots in North America

In the Enduring Voices project, we focus on the situation of languages in hotspots. Several hotspots have been identified in North America, most notably in Oklahoma. It is where we find a concentration of unique languages that are vanishing. These are the priority areas for future work in language documentation.

The idea is to create areas where efforts need to be concentrated, where the number and different types of languages have consequences that are greater collectively for humanity.

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Source for Language Hotspots map: Living Tongues Institute for Endangered Languages

Each language is of course equally valued, but we have a finite number of people, dollars, and time to do this work, so we need to maximize our efforts and resources.

In North America there are 150-170 languages that still have at least one speaker. Many of these languages have fewer than a hundred speakers. There are very few languages that have decent prospects of surviving without significant effort on the part of their communities to continue to find a use for them.

Oregon was probably the most diverse region of languages in the U.S. California might have the claim, but it is much larger, so the award for density of linguistic diversity goes to Oregon.

"At the time Lewis and Clark arrived in what's now Oregon 200 years ago there were 14 language families, more than in all of Europe combined."

At the time Lewis and Clark arrived in what's now Oregon 200 years ago there were 14 language families, more than in all of Europe combined. Today only five families of languages exist, and most of them have only a handful of speakers.

There is only one language family that has more than a hundred or two hundred speakers, and that's Northern Paiute, in southeastern Oregon, where the elders can still speak it when they get together. For most of the rest of the people there the everyday language is English.

The vast majority of the remaining languages in Oregon are known only by very few elders. The language diversity of that region has fallen off a cliff.

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A Klamath Indian in Oregon  putting on his regalia for a restoration celebration. (Undated)

NGS stock photo by David McLain

There has been some documentation of these languages, but mostly just as text, and often a hundred years old. The complexity of the setting of these texts, and the sounds of the languages have often been lost.

With the loss of the languages, all kinds of wonderful things that the speakers did with their languages have also vanished, for example, some of the greatest works of oral literature ever produced--the multilingual performances with different characters speaking different languages that was found in the Pacific Northwest.

The highly elaborate dances that accompanied the oral tradition are frequently also gone.

Large amounts of local knowledge about fauna and flora, ecosystem management, local place names, spiritual values, and so on are all submerged, altered or gone because the original languages that expressed these concepts are gone or no longer well understood.

 How is this situation being addressed?
 
Two directions. We have tried to do a little through the Enduring Voices program, which has been quite effective at raising public awareness about the issue of language endangement. A longer-term arrangement is through Living Tongues, where we plan and execute larger scale projects. These are the main ways we engage the communities and help them to document and revitalize their languages.

Through Enduring Voices, we have been helping the Winnemem Wintu, one of the indigenous peoples of north central California. We have given them a technology kit and are providing training to help them compile video and audio recordings, with the purpose of producing language revitalization materials for their language.

Winnemem Wintu representatives are going to take part in an Enduring Voices workshop in Santa Fe next April. They will be joined by representatives of the Sac and Fox tribes, who are also interested in maintaining their Sauk language.

Our workshop takes people step by step through the raw data they collect and shows them how to produce a book or audio or some other product they can use to document their language and/or to teach others to speak it.

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Otoe Indians in Oklahoma wearing traditional clothing stand in front of a tipi. (Undated)

NGS stock photo by B. Anthony Stewart

There is a long process between raw data and usable material. But the communities themselves must want to collect the data and do something with it. This is really the only way that languages will survive into the future, if activists in the communities are interested in maintaining their language.

How communities use their language is up to them. It can be informal, such as by producing a reader, or formal, such as a course taught in schools. Languages can be revitalized by finding new users and creating new uses for them.

Some communities outsource this work to us. We have been working with the Confederated Tribes of Siletz Indians in Oregon and helping them build a talking dictionary. It now has many thousands of words. Only the tribe has access to it. It is knowledge they want to keep to themselves, which is their right.

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Children wear headdresses and beaded buckskin to perform dance, Warm Springs Indian Reservation, Oregon, 1969.

NGS stock photo by Bates Littlehales

Once a language is dead it is pretty hard to imagine how it could be brought back. When you are down to only a few speakers you can find ways to build speaker communities, such as happened successfully in Hawaii, where they have created new speakers.

Language nests have been built in other native American communities with some success. The Cherokee in Oklahoma have shown great success in generating new speakers with their immersion school.

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Ceremonial dancer Ron Moses, an American Indian of Cherokee, Creek, and Pawnee descent, wears ceremonial dress including paint and feathers while attending th e Cherokee National Holiday Powwow.(Undated)

NGS stock photo by Maggie Steber

The Confederated Tribes of Grand Ronde, a casino-funded tribe, has resources and the will to support language regeneration programs, and have successfully generated new speakers of Chinuk Wawa, the lingua franca of many Oregon reservations of the late 19th and early 20th centuries. This shows that it is possible to reclaim languages.

If you have five speakers of a language and you start immersion schools you can produce 25 speakers. Then you can multiply those again. The Cherokee can be thinking of thousands and tens of thousands of speakers of their language on this basis ultimately. It is a model that has worked.

Children are sponges and absorb languages easily. If they are placed in a language immersion situation where everyone is speaking the language they will become fluent.

Preserving languages should be of interest to everyone, right?

Enduring Voices is promoting the key hotspots issue in your backyard. Sure there are vanishing languages around the globe, but your neighbors might be speakers of one of them. Most people appreciate that diversity is good. You wouldn't want to be allowed to eat only one kind of ice cream flavor or only one type of food always and forever with no options. 

"The loss of any language is a loss for us all. We lose part of the human genius, and with the disappearance of a language also goes a lot of spiritual concepts, art, and so on."

The loss of any language is a loss for us all. We lose part of the human genius, and with the disappearance of a language also goes a lot of spiritual concepts, art, and so on.

There is also the concept that you don't have to be tied to one language, or worse, be forced to learn one over another. You don't have to give up one language for another. People are capable of learning and appreciating more than one language. Multilingualism is the norm in many parts of the world. 

How do you find languages to rescue?

We wait for people to come to us. Native American communities tend to be cautious with outsiders. They are also perfectly capable of finding the information through the media and public information sources, and through word of mouth, if they want to do something about preserving their language.

We will work with any North American community, no matter what the size or the state of their language (unless it has no speakers and was never recorded of course), to see what kinds of solutions might be possible.

If there is a will to maintain the language, we seek to find the way to make it happen. Interested community activists are welcome to contact Enduring Voices or Living Tongues to start the discussion.

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