Photographer Alexandra Avakian rides a UN vehicle through Lebanon in 2005. By Hassan Siklawi.
If you're looking for a fantastic female role model, you may want to add
Alexandra Avakian to your list. At the age of 9, she decided that she wanted to grow up to be a
National Geographic photographer. She's now been shooting for the magazine for over 13 years, and has covered some of the more violent and important stories of our time, dodging bullets in Somalia, enduring beatings by Hamas, and getting unprecedented access to Yasser Arafat while accompanying him on his travels. Her new book,
Windows of the Soul: My Journeys in the Muslim World, recounts the stories behind her pictures, often in heartwrenching detail. She edited the book while undergoing chemo treatments for breast cancer, and the project, she said, only galvanized her will to survive.
Janelle Nanos spoke with Avakian about shooting photos in between gunshots and how she finds her subjects. You can read more about her book and other work on her
blog at National Geographic online.
Congratulations on the new book. Looking back, how did you get interested in photography? My father was a director and editor, my stepfather a theatre and film director, and my mother is an actress, so I grew up backstage and on movie sets. My father would sit me behind the camera and show me how the director of photography had set up the shot, how it was composed. He'd teach me how photo essays in
Life magazine were made, so I was always attuned to pictures and storytelling.
You can often see that training in your work, as your images often have layers within them. How do you translate that training to the haphazard situations you often find yourself in? There's a big difference between setting up a shot in a studio and being in reality during unfolding news. But I studied art history too. I think that once you know what excites you in terms of composition and aesthetics, you're going to bring that everywhere with you, no matter where you are.
What aspects of your own life inform your work?I came from a very strong family of artists, and everyone is a strong personality and works very hard. Also, I have an awareness and organic interest in knowing what's happening in the world and what's happening with people outside of our comfortable realm. There was also the desire to engage and connect with my family history. My family fled the Armenian genocide. Part of them were wiped out by Stalin in the Great Terror. There were many, many other massacres that my family had to deal with living in that region. So when I found out about that, I understood they had been through a lot of pain.
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