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From director James Barr, the U.S. premiere of KORO'S MEDAL takes place at the All Roads Film Festival September 15 at 7:00 pm.

Film Review by Jeremy Hall, All Roads intern and film student

When I first watched KORO'S MEDAL, I never knew what was going to happen next. This is a fun film to watch for this very reason. The beginning is extremely mellow compared to the rest of the movie. Once the action picks up - and trust me, it does -- it only increases exponentially until the film's rewarding conclusion.

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When Billy's older brother accuses him of being a chicken, Billy must call his bravery into account and save the day. Bookshelves topple like dominoes and gravity turns a refrigerator into a deadly weapon. Even though the movie has more action than the latest Bond film (relative to its length, of course) I was impressed by the subtle emotions also present in the film.

KORO'S MEDAL highlights the importance of family and history. When you watch this film, expect the unexpected.

Film Review: Wapawekka (Canada)

Posted on August 29, 2011 in Film | 0 Comments

WAPAWEKKA, directed by Danis Goulet, is an All Roads Film Project Seed Grantee film that will have its D.C. premiere at the All Roads Film Festival on September 17th at 7:00pm.

Review by Jeremy Hall, summer intern and film student

Wapawekka left me feeling as though I had just witnessed something really significant. It has an understated beauty in the character interactions captured on screen. Although dialogue is sparse, you learn all you need to know through the striking cinematography and the way a father and son relate to each other through their actions. To me, Wapawekka emphasizes the importance of being understood. This father and son come from completely different spheres of life.

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The film has been aptly placed into this year's program entitled "The Walls Between Us." The son doesn't understand the point of riding in boats, living off the land, and duck hunting. He doesn't appreciate tradition and the simple things the way that his father does. Meanwhile, his father doesn't comprehend his son's love for rap music. By the story's end, though, they truly gain a sense of where the other is coming from, that can't be defined as compromise.

The physical landscape is as equally beautiful as the emotional one. The film's beautiful scenic backdrops will make you wish you got out more! It's really an all-around great movie.

By Liz Unger, All Roads Film Project Intern

Los Derechos de la Pachamama (Peru) premieres September 17th at noon at the All Roads Film Festival in Washington, DC. FREE SCREENING followed by discussion with director.

Los Derechos.jpgThe Rights of Mother Earth is the captivating story of five diverse Peruvian communities recognizing the importance of restoring their cultural traditions in order to honor and respect the world we live in. Ridden with chants, offerings, spiritual dreams, and ceremonies, this film showcases compelling indigenous Peruvian rituals throughout its duration.

The people from these five communities- Perka, Karhui, Queromarca, Chaka, and Cochas Grande- believe that the Earth is degrading because their new generations aren't performing the rituals that Mother Earth requires in order to be happy and healthy. In other words, they believe that the rising numbers of droughts, landslides, and earthquakes is Mother Earth being pissed off that people aren't paying her as much respect. These indigenous peoples have the mindset that everything in the world is alive; the trees, the rivers, the mountains, the sun, even rocks, and they all speak a language we can't understand. This is why these communities believe it is so important to perform rituals- if they are good to Mother Earth, she will be good to them; she will keep their crops healthy, keep robbers away, and ward off frost.

In order to appease Mother Earth, these indigenous peoples have to make offerings to the mountain spirits. Throughout the film, you can observe various villagers from the community describing or demonstrating what such an offering entails: lit candles, colorful weavings, flowers, and prayers are all big aspects of their ritualistic practices. One man states that before hunting, he must approach a mountain with liquor or some cocoa a leaves, so that the mountain will give over his foxes for him to hunt. Another discusses a vivid dream he had, in which a woman spirit came down from a mountain and told him she would take certain things away from him unless he made offerings to her.

These communities are all about the give and take, and they make offerings to Mother Earth before they do anything involved with the land. The bottom line is that these people want to make sure that they pay their respects because, hey, Mother Earth gets hungry too.


All Roads intern Liz Unger presents the second review in a series about films highlighting rituals at the National Geographic All Roads Film Festival, taking place September 14-18 in Washington DC. "God is a Liar: Tradition and Change in Turkana" screens at the Grosvenor Auditorium on Saturday, September 17 at 1:30 pm, with short films "Taku Rakau E" (New Zealand), "Teenek" (Mexico) and "Maydoum" (Egypt and UK). Discussion with directors Frederic Courbet and Eugenie Reidy follow the screening.

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"God is a Liar: Tradition and Change in Turkana" takes a look at three different communities of Turkana pastoralists, documenting families' struggles to reassess their relationships with God after a disconcerting lack of rain. The Turkana people believe in one God, known as Akuj, who they call upon in times of crises or extended drought. Turkanans associate Akuj with the sky; a force that controls the one thing governing their whole livelihood: rain. In God is a Liar: Tradition and Change in Turkana, Turkana tribespeople discuss how their environment is being affected by drought, and how most believe it is their own fault why Akuj has kept the rain away from them.

Akuj can be addressed in various ways: direct prayer, through living-dead ancestors, or diviners, invoked by various chants and animal sacrifices. Since the Turkana live in such a rural area of north-western Kenya, they still primarily depend on traditional cures, including healing rituals and herbal medicines. A lot of traditional medicines the Turkana use involve herbs and paint; throughout the film you can see children covered in white paint as a means to heal them.

One tribeswoman discusses some of the ritualistic healing practices they use for various diseases:
For Puru, a disease that causes massive rashes, one must kill a goat, drink its oil, and apply black ash from its burnt skin to their own in order to heal.
To cure the Lokou disease, one must take a goat's fatty stomach and cover the sick person's head with the whole thing.
For the illness referred to as Lomogal, one must mix goat's blood with goat oil in a bowl and drink it to be cured.

I actually found an interesting fact about using animal sacrifices for medicinal purposes: In Turkana belief, while animal sacrifices are sometimes called to cure a person of a disease, the sacrificial animal has to be the same gender as the illness-ridden individual. (Who knew?)

Another big part of Turkanan culture that you can witness in this documentary is traditional dance. Dancing is generally an element of religious ceremonies, such as weddings and child naming, and costume plays an important role in these events. Something I thought was interesting in the film was when a Turkanan girl was showing off a traditional outfit that she said was custom to wear for important ceremonies and dances. When she proudly commented that she felt the most beautiful when she wore her traditional garb, it really struck me then how deeply her community's values were embedded in herself.

This summer our intern Liz Unger explored three films from the Festival involving some aspect of Ritual. Today we post her review of Sky Dancer (China) which plays at the Grosvenor Auditorium on Saturday September 17 at 4pm. (Co-host: Machik, a non-profit providing assistance to communities on the Tibetan plateau) Discussion with director Jody Kemmerer follows the screening.

The All Roads Film Project features stunning photographs and films of underrepresented cultures from around the world, channeling cultural awareness and making an impact on viewers year after year at its annual film festival. The in-depth perspective of indigenous peoples in All Roads' selected films really bares the essence of their fabulous cultures- which is part of the reason why audiences flock back every year to watch them. I find All Roads' viewers quite fascinated by lifestyles that are so different from their own; they are captivated by people who live off the land, captivated by those who still follow the ways of their ancestors from hundreds of years ago. Our audiences are enthralled with cultures whose populace is so deeply in touch with the world we live in, they understand and are connected with nature in ways that the rest of society has forgotten through the ages.

These people, these indigenous communities, take pride in their culture; they don't want to forget. One of the most effective and important ways for them to keep their culture alive is through ritualistic practices.
Rituals are a series of actions performed for a symbolic value, which mainly pertain to community traditions or religious beliefs. The purposes of rituals are vast; they can range from a demonstration of respect to a divine figure to satisfying the practitioner's own emotional needs. Gestures, recitation of texts, ceremonial dancing, consumption of certain food and drink, playing instruments, and taking hallucinogenic drugs are all kinds of actions that can be incorporated into a ritual. Rituals can be performed by an individual, group, or an entire community, and are practiced in all aspects of society: birthing ceremonies, rites of passage, weddings, exorcisms, application of medicines, and funerals.

These practices are absolutely fascinating to me and, I believe, captivating to watch. This is why I wanted to concentrate on some of the rituals of cultures I've seen in this year's selected films, and expand on how amazing they really are on my blog. Not only did I think people would be able to learn about the background and importance of these fantastic ceremonies, I thought it would really promote the films and get people more interested in watching them.

So with that, take a look at Sky Dancer:

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Sky Dancer is a striking documentary that follows the daily life and teachings of a woman named Khandroma Kunzang Wangmo, the matriarch of a remote area on the Tibetan plateau. As one of Tibetan Buddhism's most venerated female masters, Khandroma undertakes large numbers of rituals during her role as a mother and spiritual leader for her community.

A little background: Tibetan Buddhism is the official religion of Tibet, formed from a combination of Buddhism and an ancient Tibetan shamanic religion. Tibetan Buddhism emphasizes intellectual discipline, logic, and meditation, and is well known for its rich visual symbolism and outwardly religious activities. Its practitioners use complex ritualistic practices to worship and interact with the divine, some of which include recitations of mantras, forms of meditation, offerings, and prayer.

Throughout this documentary, many such rituals are caught on film; Khandroma is constantly approached by other community members for advice, prayers, and remedies. She largely appeases them by praying to divine figures and giving them blessings. One memorable scene in Sky Dancer is when Khandroma catches two boys (one of them her own nephew, and the other a tulku, a reincarnated priest whom Khandroma officially recognized) using snuff behind her back. The punishment ritual that ensues is the two boys kneeling on the ground, stuffing the snuff and cigarette butts in their mouths while being hit by Khandroma and other family members. Khandroma brings over a statue of Buddha and makes them vow never to smoke ever again.

Khandroma is also seen in many scenes with a mala- a special necklace made of large beads. Using a mala can be understood as a method for counting mantra (sacred text) recitation if done correctly: holding it in the left hand, a bead is pulled forward with a thumb for each mantra recitation. This is an important practice in Tibetan Buddhism! If the practitioner uses the mala with a pure heart and proper motivation, only then will one's negative qualities will be transformed over time into virtuous, true qualities. This method of reciting mantra helps people awaken to their true nature, and is one step closer on the path to enlightenment.

About the All Roads Film Project

About the All Roads Film Project Blog

The All Roads Film Project is a National Geographic program dedicated to providing a platform for indigenous and underrepresented minority-culture storytellers around the world to showcase their works to promote knowledge, dialogue, and understanding with a broader, global audience.

 

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